I’m in this fluid space, where fluidity is contained and made safe. A place of becoming aquatic mammals, bodies directed into rooms to transform, emerging and submerging revealing skin and hiding eyes behind artificial lenses, protected and vulnerable. Directed and patrolled spaces of chaos. A warning light and siren but no one is afraid a groaning, yawning mouth transforms the liquid medium into a new force, a slow moving wave, bodies scatter and flow into new territories. New flows, surface tensions break there is laughter and screaming, delight and concern a new uncertainty. Tossed, jumbled, scattered at the mercy of surges and flows both visible and invisible densities changing. Silence, the mechanical maw closes and order returns.
Through the door lines and lanes define spaces a clock is marking time. Lessons to learn bodies talking the unfamiliar with new movement, new patterns. Order and purposeful disciplined and regimented repetition with variation encoding technique. Separated and segregated together under the watchful gaze of instructors.
A strange disjuncture on the other side of the glass, an empty space, no water. Concrete and tiles dry, framed in fencing. A disabled space, functionally impaired now without a purpose, closed to the public and hidden from view awaiting to be rehabilitated, to be use-full again. Without the refraction of water I notice the slope of the floor beckons a flicker of recognition – 1970’s California drought and the birth of pool skating, a moment in time that ruptured and broke free enabling new movement to occur, deterritorialised and re-territorialized, this concrete cousin born after that time will never feel rolling urethane. I glance at the diving platform and the chasm below suggestive of an abseil tower. What it could become but will not. Out of order.
Yes I was at the pool today and I didn’t swim but I was fully immersed in my thoughts with Deleuze and Barad keeping me company in a strange exhilarating intra-action, or maybe it is just the chlorine fumes.